Book Review

The Swan’s Daughter by Roshani Chokshi

The Swan’s Daughter by Roshani Chokshi is a lavish, strange, and quietly radical fairytale retelling that takes familiar tropes and reshapes them from the inside out. On the surface, it looks like a classic setup: a young woman enters a glittering court to compete for a prince’s hand, surrounded by beautiful rivals and impossible expectations. But almost immediately, the story begins to question who holds power, who is truly at risk, and what beauty is allowed to look like in a world obsessed with spectacle. This Ugly Duckling retelling, wrapped in a Bachelor-style tournament of brides, is indulgent and whimsical, but it is also deeply intentional in the way it reframes vulnerability, worth, and agency.

Book cover for The Swan's Daughter by Roshani Chokshi.

They’re terrified of you, which is far more useful than affection.

Roshani Chokshi, The Swan’s Daughter

I came into this novel with high expectations because The Gilded Wolves is one of my favorite books. While The Swan’s Daughter is far frothier in tone, it carries the same confidence in its worldbuilding. This is one of the most decadent settings I have read in a fairytale retelling. Sentient castles, library wyverns disguised as rabbits, and daydream trees create a lush, storybook atmosphere, but there is always something sharp beneath the surface. The satire also works especially well here. The competition is absurd, glamorous, and dangerous in equal measure, and the book never lets you forget that performance and survival are deeply intertwined.

One of the most interesting things this book does is quietly subvert the traditional damsel narrative. Demelza arrives at the tournament of brides as someone easily overlooked. She is physically unremarkable by the court’s standards, visibly out of place among competitors who embody polished, effortless beauty. From the outside, she appears vulnerable, even pitiable. In reality, it is Prince Arris who occupies the most precarious position. His life, his future, and his very humanity hinge on making the right choice. If he chooses poorly, the consequences are catastrophic. I loved how this inversion reframes the entire competition. Demelza may look like the one in need of saving, but Arris is the one trapped by expectation and consequence.

Love is dazzling. Can you imagine it? To be entrusted with someone’s heart…to be all the radiance in their world? To be the only shelter in which they know both safety and bliss?

Roshani Chokshi, The Swan’s Daughter

Beauty is also treated with a surprising intentionality in this novel. Demelza is not revealed to be secretly stunning, nor does the narrative rush to “fix” her appearance to make her worthy. Instead, her beauty is initially internal, invisible to a society trained to value spectacle above substance. Every other competitor is outwardly beautiful in ways the court knows how to reward. Yet by the end, it becomes clear that none of them can match what Demelza offers as a person. Her honesty, emotional steadiness, and refusal to perform a version of herself for approval give the story a quiet power that will stay with readers. The novel slowly becomes less interested in beauty as currency and more invested in beauty as character.

Arris, too, is written in ways that resist traditional fairytale masculinity. I was especially drawn to the attention paid to his routines, his clothing, and the care he takes in presentation. There is something almost traditionally feminine in how these moments are framed for him and not for Demelza, and yet the story never treats this as weakness or contradiction. His sensitivity, precision, and emotional awareness exist comfortably alongside his role as prince and romantic lead. Even within the confines of a heterosexual romance, the book allows softness and attentiveness to be strengths rather than liabilities, which felt both refreshing and intentional.

Power is a matter of perception. In the end, it’s what you believe that holds the most sway. All the rationale in the world might tell you you are walking headlong into danger. But if you believe yourself an exception, if you believe that fate walks you down a different road despite every evidence to the contrary, then it is perception alone that rules you. Nothing else.

Roshani Chokshi, The Swan’s Daughter

The weakest element for me was the romance. While I appreciate that Demelza and Arris don’t experience insta-love (an annoying pitfall of many YA romances for me!), their relationship never really evolves into something convincingly romantic. Their chemistry is muted, and there is no clear emotional turning point where their feelings shift from friendship to romantic love. At times, it even feels as though the narrative invites us to root for Arris to end up with someone else. Given how central love is positioned within the story, this lack of development is disappointing.

Several plot threads also feel underresolved, particularly those involving Demelza’s father and the spell she and her sisters were raised to decipher. Both arcs are introduced with significant weight and then quietly fade away, which undermines their earlier importance.

Still, I genuinely enjoyed The Swan’s Daughter. Its greatest strength lies in how it reimagines familiar tropes without stripping them of their magic. This is a story about being underestimated, about finding worth beyond performance, and about choosing who you are in a world determined to define you first.

Thank you to NetGalley and Wednesday Books for sharing an advanced reader copy of this book in exchange for an honest review.

Book Review

Splintered Kingdom by Gretchen Powell Fox

Splintered Kingdom by Gretchen Powell Fox is the second installment in the Shattered Crown trilogy. It expands the world beyond the high-stakes tension of the Arcane Crucible and plunges Elyria and Cedric into the fragile aftermath. All the while, Elyria is learning to wield her shadow magic without letting it consume her, and Cedric is coming to terms with the truth of his own identity. As twin victors of the Crucible, they must work together to find both halves of the Crown of Concord in order to save Arcanis from collapse. Between political unrest, stunning betrayals, and the will-they-won’t-they tension still sizzling between the pair, nothing about this journey is going to be simple.

Book cover for Splintered Kingdom by Gretchen Powell Fox.

The truth has a way of hiding in the spaces between what is written.

Gretchen Powell Fox, Splintered Kingdom

What stands out most in Splintered Kingdom is how much bigger this universe becomes. In Smoke and Scar, the tension of the story came from a contained, brutal set of trials that compacted risk, characters, and plot into a tight space. Here, we’re invited into cities, borderlands, courts, and villages. We meet famine, piety, zealotry, poverty, the fierce solidarity of towns under pressure, and a spectrum of beliefs that test our heroes at every turn. The expansion of the setting amplifies the stakes as the narrative terrain is both emotional and geographical now. That shift allows Fox to lean more intentionally into the social commentary already pulsing beneath her worldbuilding. We see not only the effects of the missing Crown of Concord, but also what it costs ordinary people when political turmoil causes kingdoms to fracture.

Of course, the beating heart of this story still belongs to its characters. Elyria, Cedric, and the plucky crew we met in the Sanctum are magnetic as ever, even if they’re often separated this time around. But we also meet even more of their friends in Splintered Kingdom, and the experience is delightful! Tristan, in particular, is the standout favorite. Every scene he’s in becomes instantly more charming, more fun, more alive. (If Fox sees this, I would absolutely read an entire novella about him!) I also appreciate how Kit feels so much sharper and more grounded outside the Crucible, with arcs that nicely emphasize her wit, courtly intrigue, and strength of character rather than the single note of her (justified) rage as we saw during the trials. Nox and Thraigg, sadly, fade a bit to the background here, perhaps to make room for new characters and plot. Regardless, the ensemble overall remains a highlight for me. Fox has a way of writing even the smallest side character with enough depth that you care if they don’t make it out alive. It makes the reading experience so much more agonizing…and fun!

I was also glad to see LGBTQ+ representation handled with more care and attention, a welcome improvement on the first book that makes this world feel richer and more lived in. In my Smoke and Scar review, I noted that Tenebris Nox offered seamless nonbinary representation, yet the broader spectrum felt underexplored for a story that otherwise manages to showcase such a diverse fae world. In Splintered Kingdom, queer identities appear across core and side characters, folded into everyday dialogue, court dynamics, and found family moments without fanfare. The result is a story that reflects the breadth of its own world, and characters that feel more authentic because of it.

She did not want to admit that her power felt sharper, steadier whenever he was near. Did not want to admit to the hum of recognition, of belonging, she felt whenever his own power flared. Even now, her power flickered under her skin at the thought, as if her shadows, too, yearned to reunite with his fire.

Gretchen Powell Fox, Splintered Kingdom

The romance you signed on for also finally gets its moment, and the bell pepper-level spice of the first book definitely upgrades to a chili pepper or two for the sequel! In Smoke and Scar, Elyria and Cedric were too busy surviving the trials to do more than trade fleeting glances and hold the line on all that pent-up longing. In Splintered Kingdom, they have space to ask real questions, to decide what they want from each other, and how much of themselves they’re willing to give. The early intimate scenes between them are unquestionably the strongest, when they’re still feeling their way through a new romantic dynamic. There is a quiet vulnerability to how they explore that connection and surrender to their desire for one another. It feels earned after the enemies-to-lovers slow burn from the first book. For me, the love scenes in the second half of the book don’t have the same effect because they seem to exist for their own sake rather than in service of character or plot. I’m thinking of one specific love scene towards the end of the book when I say that. But for the most part, the evolution of their bond feels right. Cedric and Elyria are most effective when they don’t dull themselves down for each other, and that flickering tension—fire and shadow learning to move together—continues to work. Their arcs feel designed to slot together, to fill spaces the other left empty, which makes watching them get together incredibly gratifying and poetic.

One of the most rewarding through-lines in this series is its interest in power—not just the kind you cast or fight with, but the kind that shapes people and institutions. Cedric’s arc continues to be one of my favorites. Watching him unlearn the indoctrination he grew up with, challenge Lord Church’s legacy, and finally begin to see his own power as something worth embracing is deeply satisfying. Elyria’s journey with her shadow magic is also layered, since it’s about control but also about learning to live with the parts of yourself you were taught to fear. The book also sharpens its questions around mana magic: who gets to use it, what it costs, and whether a resource can be wielded without stripping the world that sustains it. I hope the final installment leans into that idea of stewardship, not just control, and shows what responsible magic might look like in a world that has already paid too much for convenience.

When you spend all your time trying to bury your power instead of learning how to use it, there is a bit of a steep curve to catch up.

Gretchen Powell Fox, Splintered Kingdom

That said, it bears noting that the first half of the novel drags. Given everyone is so worried about finding the crown and saving the kingdom, the fact that they’re willing to sit around and wait for permission to leave on that journey felt…odd. The characters—and readers—were trapped by plot necessity more than anything else. Sure, the excuse is that Lord Church is manipulating everyone because he doesn’t want our heroes to find the crown, but the sheer amount of time they spent waiting around just doesn’t feel convincing or believable when the world is supposedly on the brink. The writing also feels clunky in places, with repetition and awkward sentence construction that pulls you out of the moment. The pacing struggles under the weight of long exposition scenes and a few too many logistical detours. It’s not enough to undo the emotional resonance of the story, but it does dull the edge a bit.

Still, Splintered Kingdom holds its ground as a thoughtful, character-driven follow-up. It may not have the razor-sharp pacing of Smoke and Scar, but it makes up for that with expanded themes and wider emotional arcs. The final chapters deliver some gut-punch moments I didn’t see coming, and while the book ends with a clear setup for the final installment, it still feels like a full experience.

Thank you to the author, Gretchen Powell Fox, for sharing an advanced reader copy of her book in exchange for an honest review.

Book Review

This Spells Love by Kate Robb

What if one impulsive, margarita-fueled decision could wipe away your worst heartbreak—but at the cost of everything else? In This Spells Love, Kate Robb blends romantic comedy with a dash of magical realism to explore what happens when one woman’s attempt to forget her ex rewrites her entire reality. After a drunken spell with her best friend Dax, her sister, and her eccentric aunt, Gemma wakes up in a world where her ex never existed, her life is nearly unrecognizable, and the one person who’s always mattered most—Dax—no longer remembers her at all. Whimsical and heartfelt, this debut asks a compelling question: if you could undo the past, would you still choose the same future?

Book cover for This Spells Love by Kate Robb.

It’s like Hot Tub Time Machine without the hot tub.

Kate Robb, This Spells Love

There’s real charm in the setup, and the pacing is strong throughout. Robb’s prose is breezy and digestible, with writing that makes it easy to devour chapters without realizing how much time has passed. The magical realism element is understated, more a plot device than a full-on genre shift, which works well for readers who prefer grounded rom-coms. And at its core, the novel is about more than romantic love. It’s about learning to recognize your blind spots, appreciating the people who anchor you, and understanding that healing doesn’t come from rewriting the past. It comes from making peace with it.

But for all its strengths, This Spells Love stumbles where it matters most: character depth. Gemma, as a narrator, is often difficult to root for. Her self-absorption borders on grating, and while the story hinges on her personal growth, it’s hard to feel invested in that journey when she seems oblivious to the emotional needs of those around her. She treats her support system like background noise and rarely reflects on how her actions impact others until late in the book. While this is realistic in some ways, it doesn’t always make for compelling reading.

The side characters—particularly Gemma’s sister and aunt—feel one-dimensional. They appear when needed, serve their purpose, and then retreat until the plot calls for them again. Even Dax, who is arguably the emotional anchor of the novel, is frustratingly underdeveloped. Because the majority of their romance happens in an alternate reality where he’s essentially a different person, the emotional stakes never quite land. The book gestures at a best-friends-to-lovers arc, but it lacks the lived-in warmth and history that make those stories shine. There’s no satisfying build-up to the chemistry; we’re simply told it exists, and then expected to believe it transcends timelines.

The predictable path is boring. And you miss out on the chance to try some really incredible things.

Kate Robb, This Spells Love

That said, there’s something endearing about the concept itself. The idea that love can survive (thrive!) through a fractured reality is a powerful one. And while the execution is imperfect, the themes resonate. Gemma’s realization that Dax is her constant, the one person who feels like home no matter the version, lands with a quiet poignancy. It’s not quite the sweeping romance it could have been, but it’s earnest. And sometimes, that’s enough.

This Spells Love is a flawed but engaging debut. It may not deliver on all its witchy promises, and it might leave some readers wanting more from its characters and emotional arcs. Still, for an afternoon curled up with something light and slightly magical, it scratches the itch for cozy fall vibes. Just don’t expect potions, pentagrams, or a deeply fleshed-out love story. This one’s more about the lesson learned than the spell cast.

Thank you to NetGalley and Dial Press / Random House Publishing Group for sharing an advanced reader copy of this book in exchange for an honest review.

Book Review

Smoke and Scar by Gretchen Powell Fox

Smoke and Scar by Gretchen Powell Fox is a gripping enemies-to-lovers romantasy that plunges readers into a world still reeling from the dark, magical scars of an ancient war. At its center is Elyria Lightbreaker, a fae war hero (or criminal, depending on who you ask) who has spent 250 years drowning her past in alcohol, sex, and reckless avoidance. But when her dead lover’s sister enters the Arcane Crucible—a brutal, winner-takes-all series of trials that could shift the fragile balance between humans and fae—Elyria is dragged back into a fight she wanted to forget. As she battles deadly opponents, shifting alliances, and an infuriatingly broody human knight, Smoke and Scar delivers high-stakes action, emotional depth, and a slow-burn romance that smolders…right until it ignites.

Book cover for Smoke and Scar by Gretchen Powell Fox.

Cedric shuddered at the thought of what it would be like to meet the Revenant in battle at full power. He hoped he never had to find out. And yet, for some reason he could not possibly begin to explain, he also hoped he did?

Gretchen Powell Fox, Smoke and Scar

I could only ever mean this in the best way, but start this book prepared with the knowledge that it will make you fall hard for its characters, then drop you into a haunted cave and threaten to break your heart once you’re in its clutches. (But it’s fine! You’ll be fine. Trust me.) Elyria is sharp, feral, and drowning in unresolved trauma, and Cedric, is a fierce warrior with protective instincts that belie his programming, particularly once he begins to question the narratives he’s been raised on after actually spending time with fae. What makes their dynamic fresh is the way Fox subverts our favorite genre conventions. Elyria is the shadow mommy, if you will. She’s emotionally constipated and a little bit uncouth, and Cedric is her damsel in distress (and there is so much distress—whump goblins, come get your food!). Their romance is the kind of slow burn that aches in the best way, full of reluctant trust and repressed third-degree yearns. Among other choice genre favorites, there is a Pride and Prejudice-esque hand flex, as well as a “who did this to you?” But when I say it’s a slow burn, what I mean is any slower, and they’d literally be on fire. But it’s great! So bring your marshmallows!

High fantasy can sometimes fall into the trap of making side characters seem as though they’re positioned simply to function as plot devices rather than people, but here, every character feels important and distinct. They are a found family, full of snarky, reckless, and endlessly lovable personalities. Fox’s treatment of “side characters” (more accurately, characters who are not the two main love interests) reminds me of the way Leigh Bardugo writes her characters in the Grishaverse. Nox and Thraigg are my favorites in the bunch (actually, I need an entire novella all about Nox), but truly, not a single one feels expendable.

As she met his golden brown eyes, something stirred in the hollow place where her inner shadow slept. A recognition. An understanding.

Gretchen Powell Fox, Smoke and Scar

One of the most impressive things about Smoke and Scar is its handling of power—not just the kind you wield in battle but the kind that shapes societies, histories, and people. The Crucible isn’t just a fight for a shiny prize; it’s a symbolic war over centuries of oppression, loss, and vengeance. The fae and humans have deeply entrenched narratives about who deserves power and why, and Fox doesn’t take the easy route of making one side clearly “right.” Instead, the story wrestles with the murky, often brutal nature of power itself: who controls it, who’s willing to die for it, and whether it can ever truly be shared.

The worldbuilding smartly reinforces the novel’s deeper themes, balancing intricate political tensions with tangible, sensory-rich settings that make you feel like you’re walking through the aftermath of a war that never quite ended. The Crucible itself is a thrilling, blood-soaked puzzle box of challenges, and Fox crafts each trial with enough variety and tension to keep both characters and readers on their toes. There’s a real sense of danger, and readers quickly learn no character is safe. As a result, each thrilling victory feels earned. The trials aren’t just about physical strength either; they demand strategy, adaptability, and an understanding of the larger forces at play. And because of that inventiveness, it’s fun to read about each new trial because they almost feel interactive, pulling the reader into the problem-solving alongside the characters.

Beyond its political and magical intrigue, Smoke and Scar also carries deeper themes of identity, acceptance, and learning to embrace the parts of yourself you’ve been taught to suppress. Elyria’s journey with her shadow powers, in particular, feels like a metaphor for self-acceptance—whether that’s tied to gender, sexuality, culture, or any other aspect of identity. There’s a moment where she finally stops resisting this part of herself, and it’s written with a kind of catharsis that will resonate deeply with anyone who’s ever struggled with their own sense of belonging.

She’d spent so long burying half of herself. Now that she had finally given that half the freedom of acknowledgment—started to embrace it, even—she suddenly wanted to know more about it. Wanted to know everything.

Gretchen Powell Fox, Smoke and Scar

If there’s one place where I found myself wanting more, it’s in the details of Cedric’s backstory (anyone else get unreasonably attached to Tristan for the 0.5 seconds he appears?) and the mechanics of mana magic. Cedric often serves as the “token human,” giving us an outsider’s perspective on the fae world, but his own history remains somewhat elusive. The concept of mana and the tension surrounding its use also raises questions that feel ripe for further exploration. What exactly does it mean to leach mana from the land? Why is it seen as so inherently destructive, especially when celestial forces gifted humans with this ability? And what are we to make of the fact that most of Cedric’s identity as a knight is supplemented by the lore behind this power? Fox gives us enough to fuel the conflict but leaves plenty of room for further revelations in future books. We also get seamless nonbinary representation in Tenebris Nox, but for all the diverse and interesting fae creatures and cultures introduced in this novel, I really wish we’d had a chance to see more of the LGBTQ+ representation that surely must exist in this world.

Ultimately, Smoke and Scar is the best kind of fantasy because it provides readers a thrilling, high-stakes adventure while sneaking in sharp commentary on power, identity, and history. And yet, despite its weighty themes, the book never feels bogged down. It’s as entertaining as it is thought-provoking. The characters are ones you want to protect (even when they make terrible choices), and the world feels vast but never overwhelming. I can picture it next to everyone’s favorite series by Sarah J. Maas, Rebecca Yarros, and Leigh Bardugo. If you love found family, slow burn romance, and fantasy that dares to explore the true cost of power, this is one you won’t want to miss.

Thank you to the author, Gretchen Powell Fox, as well as NetGalley and Scarlett Press, for sharing an advanced reader copy of this book in exchange for an honest review.

Book Review

Voyage of the Damned by Frances White

Frances White’s Voyage of the Damned is a locked-room murder mystery set aboard a ship in a fantasy empire teetering on the edge of chaos. Ganymedes “Dee” Piscero, the most unremarkable hero of Concordia’s twelve magical heirs, is thrust into a deadly game when a fellow heir is brutally murdered. With no magical “Blessing” of his own, Dee must rely on his wits and sheer luck to survive as suspicion and bloodshed multiply aboard the emperor’s ship. As tensions mount, the question isn’t just who the killer is—it’s whether anyone will survive the voyage long enough for it to matter.

Book cover for Voyage of the Damned by Frances White.

As if the restrictive shell of a body is more important than the infinite possibilities of a mind.

Frances White, Voyage of the Damned

The premise hooked me immediately: A fantasy murder mystery? Twelve heirs, each with a unique secret power, trapped on a ship with a killer among them? Sign me up! The romance—abrupt as it was—grew on me, too. There’s something tender about Dee’s connection with Wyatt that offsets the grimness of the plot. And it was sweet to see a self-loathing protagonist stumble into vulnerability through a soft love story amidst all the chaos unfolding around them.

But with that said, the execution left a lot to be desired. The worldbuilding is the book’s glaring weak spot. Concordia’s provinces are so reductive they feel like caricatures. Each province is defined by a single animal and a somewhat related industry (and a matching hair color for some reason?). From what I gathered, the magic is hereditary within one single family per province, and it passes down from a parent to one of their children, but other than that, the magic lacks any discernible system or depth. I also found myself asking way too many questions about the logistics of this world. For instance, why are there finger guns in a high fantasy setting where actual guns don’t exist? And in this world where there is no electricity, why are there hot dogs, cotton candy, and poutine, and references to how undeniably cool it is to walk away from an explosion without looking back, and comments on something being so good it’s ”like crack”? None of it makes sense and fundamentally strips the setting of its believability.

They keep their memories and stories safe within music, where empires cannot touch them.

Frances White, Voyage of the Damned

The characters are both a highlight and a source of frustration. Dee’s self-deprecating humor and insecurities make him relatable early on, but as the bodies start piling up, his self-absorption and misplaced priorities are distracting and confusing. Why is he busy agonizing over choosing between a dead ex-lover and his very new romantic interest when they’re all actively being pursued by a murderer? I wish White had spent more time on Dee’s journey of self-discovery and his battle with internalized shame, particularly given the book’s LGBTQ+ representation. I appreciated the barest hints of themes like unity, oppression, and the effects of colonialism, but I needed to see way more of it. I also loved Grasshopper and the dynamic between Dee and Grasshopper. Hands down the best part of the book. Unfortunately, the rest of the cast felt more like stereotypes than people, each defined by a single trait.

Representation in fantasy is something I always root for, so seeing characters like Dee, a bisexual, plus-size person grappling with mental health struggles, and Wyatt, who lives with chronic pain and illness, felt refreshing and necessary. Their identities and challenges added depth and realism to the story, as well as glimmers of inclusivity often lacking in this genre. However, as part of the late-stage plot twist, we discover that this version of Wyatt isn’t even real. It’s such a betrayal to Dee (and, honestly, I’m not sure how he could just get over it!) and to the readers who got invested in the romance developing between Dee and Wyatt. It soured the entire story for me because it felt a little like the work this relationship did to help normalize characters like Dee and Wyatt finding love in the stories we consume was just a trick. Fantasy deserves better, and so do the readers who see themselves in these characters.

The final wall around my heart crumbles and his love fills the untouched space behind.

Frances White, Voyage of the Damned

In addition to my major issues with the romance, representation, worldbuilding, and characters, the locked-room mystery also falls short. Instead of piecing together clues, Dee passively gathers information handed to him by other characters. It feels lazy and robs the story of the tension and intrigue that make a good mystery compelling. The story felt really aimless in that regard, and what’s even more frustrating is I don’t think there was any way for readers to solve the murder mystery on their own. Where’s the fun in that?

Voyage of the Damned reads like young adult fiction, so marketing it as adult fantasy sets up expectations it can’t meet. I never got attached enough to the characters, the mission, or the world, so it essentially failed to deliver the compulsive, edge-of-your-seat tension I expect from a murder mystery. The writing is accessible with memorable flashes of wit and charm, but ultimately, any redeeming qualities are drowned out by inconsistent characterization, clunky worldbuilding, and a mystery that doesn’t trust its audience to engage. Fans of lighter fantasy or creative LGBTQ+ representation may enjoy its quirky charm, but for those seeking a tightly woven mystery or a richly immersive fantasy world, this voyage may be one to skip.

Thank you to NetGalley and HarperCollins Publishers / Mira Books for sharing an advanced reader copy of this book in exchange for an honest review.