Book Review

Stolen Midnights by Katherine Quinn

Stolen Midnights by Katherine Quinn is a regency-inspired young adult romantasy that unfolds in the gilded city of Andalay, where the Three Fates bestow magical gifts upon the upper classes as a mark of divine favor and social worth. On her eighteenth birthday, Wren Hayes, the so-called “princess” of Ward One, waits to receive the powerful magic her status promises. But it never comes. Unbeknownst to her, a thief has stolen it! And in a society where magic is currency and legitimacy, that turns Wren into a social pariah. What follows is a richly layered, compulsively readable story about power, class warfare, dangerous alliances, and one of the most delightful grumpy x sunshine slow-burn romances I’ve read in a long time.

Book cover for Stolen Midnights by Katherine Quinn set against a pink background.

One day our world would change, and all it took to start a revolution was one person.

Katherine Quinn, Stolen Midnights

Despite being marketed as young adult, I think Stolen Midnights just barely on the edges of it. Tonally, this novel reminds me a lot of Heartless Hunter by Kristen Ciccarelli. It has that same balance of sharp banter, moral ambiguity, simmering tension, and high-stakes worldbuilding. Even when the plot turns twisty and dark, there’s an undercurrent of yearning and restraint that keeps the characters at its center, and that’s why it works so well.

I love a good thief character, so Damien was always going to be an instant favorite, but Wren really surprised me, too. She begins the story sheltered and naive, yet never willfully ignorant. Wren wants to understand the world beyond her privilege, and once that privilege is stripped away, she actively chooses growth, accountability, and compassion. Damien, meanwhile, is morally gray in all the right ways, shaped by a system that exploits the poor to keep the wealthy powerful. His motives are messy, personal, and deeply tied to the book’s class commentary. Watching these two become reluctant allies—especially with Wren unaware that Damien is the thief who stole her gift—creates a dynamic that is both emotionally charged and narratively compelling.

The dual POV structure of the chapters also works beautifully here, giving equal weight to both Wren and Damien’s perspectives without letting one overshadow the other. Seeing Andalay from opposite sides of the class divide adds real texture to the story, especially as the larger conspiracy begins to unravel.

I’m sorry because I allowed myself to be blind when I had the choice to do otherwise. I’m sorry for being a part of a society that uses people when they’re desperate. That forces them to remain desperate. Afraid. Hungry.

Katherine Quinn, Stolen Midnights

The magic system itself deserves special attention because it’s such a clever device. In Andalay, gifts granted by the Three Fates are not random blessings but deliberate reinforcements of wealth and status. Therefore, magic becomes another mechanism of control, hoarded by the upper classes and used to keep power exactly where it already sits. I loved how this magic system feeds directly into the novel’s social commentary, interrogating privilege and exploitation. It shapes Damien’s anger and motivations just as much as it forces Wren to confront the moral cost of her upbringing, adding layers that make the story resonate well beyond the romance.

Speaking of the romance, it was so much fun! The dynamic between Wren and Damien is exactly what I expect when promised enemies-to-lovers. The banter is genuinely delightful, the grumpy x sunshine trope is fully realized (he literally calls her “sunshine”!!), and the slow burn is paced to perfection. Watching Damien deny his feelings while very obviously falling for Wren was endlessly entertaining, and their chemistry is off the charts.

I also really appreciated the emphasis on female empowerment throughout the story. Andalay is unapologetically patriarchal, but Quinn highlights women supporting women, questioning their assigned roles, and actively resisting expectations designed to limit them. The contrast between older men enforcing tradition and a younger generation beginning to push back felt deliberate and thoughtfully executed.

I knew with complete certainty that I’d done the one thing I promised I’d never do—I’d fallen for a mark.

Katherine Quinn, Stolen Midnights

If I had any minor nitpicks, they come down to personal preference rather than flaws. I found myself wishing for a deeper exploration of how certain magical powers work and more on-page moments of characters actively using their magic. There’s also a mention of a jail early on that stuck in my brain. I kept expecting it to reappear or play a larger role later (at one point, I was fully convinced Damien would end up there!), but it never did. That’s very much on me for latching onto it, not the book failing to deliver. But who knows? Maybe it’s there, waiting for book 2 shenanigans!

By the time I reached the final chapters, I was fully hooked. And then that ending completely blindsided me! Jaw on the floor, theories in shambles, and a cliffhanger that was brutal in the best way. I genuinely have no idea how I’m supposed to wait for the sequel! Consider me fully committed, emotionally compromised, and counting the days.

Thank you to NetGalley and Delacorte Press for sharing an advanced reader copy of this book in exchange for an honest review.

Book Review

Break Wide the Sea by Sara Holland

Break Wide the Sea by Sara Holland is a moody, ocean-soaked young adult romantasy that immediately pulled me in with the promise of mysterious fae sea creatures, ancient curses, and that particular brand of melancholy that only stories at sea seem to pull off. The cover alone had me sold, and the premise gave me the same atmospheric pull I felt with When the Tides Held the Moon by Venessa Vida Kelley. And to be fair, the atmosphere is there. The salt, the isolation, the tension of life aboard a ship in unforgiving waters? That part worked so well for me. But while the vibes were vibing, the story itself never quite broke open the way I hoped it would.

Book cover for Break Wide the Sea by Sara Holland.

Maybe I need to be a monster to survive this.

Sara Holland, Break Wide the Sea

At the center of the novel is Annie, the heir to a powerful whaling company whose survival (and humanity’s) depends on harvesting magic from whales. It’s a fascinating and morally messy setup, especially paired with the presence of finfolk and fae mythology. Annie is also cursed, slowly transforming into something monstrous and not entirely human, which should’ve been the emotional core of the book. I kept waiting for that thread to really take over, and for Annie to reckon with what she’s becoming and what that means. Instead, so much of the narrative energy is spent on human conflicts aboard the ship, and it often feels like the most interesting parts of the story are hovering just out of reach.

Annie herself was difficult for me. She’s been trained her entire life to lead, yet repeatedly gives up power while insisting she wants it. Early on, she’s told she will be betrayed, and even as every possible sign points directly at her fiancé, August, she refuses to believe it. We spend what feels like half the book circling this impending betrayal, and because Annie won’t open her eyes, the plot stalls right along with her. Watching her continue to trust him, excuse his behavior, and remain emotionally and physically involved with him was genuinely maddening.

I didn’t want anyone else’s whole heart. I wanted the broken scraps of yours. Whatever you saw fit to give me.

Sara Holland, Break Wide the Sea

August is exactly as awful as you’d expect, and not in a way that felt particularly nuanced. He’s manipulative, controlling, and deeply unlikable, but the story spends so much time having Annie deny this that it dulls the impact. Silas, on the other hand, was the character I wanted more of. He’s the type of character I usually latch onto immediately, but we just don’t get enough of him. His relationship with Annie felt underdeveloped, and I never felt a real spark between them. The romance overall was honestly frustrating. At a certain point, I would have preferred it to be nonexistent because it didn’t add anything meaningful to Annie’s growth or the story’s tension.

Pacing was another major issue for me. For hundreds of pages, the story revisits the same ideas without much escalation, and then suddenly, everything happens at once. When the plot finally surges in the last act, it feels rushed and almost disconnected from what came before. The ending is fine, and it clearly sets up the sequel, but it didn’t reel me in or leave me desperate for more. Instead, I found myself questioning Annie’s final choices yet again, especially since I couldn’t understand why she agreed to the terms she did. Like, hello? You’re cursed to transform into a sea monster. Show me some teeth, girl!

I can’t touch him how I’d like to, not with the gloves and what’s under them. I have to be careful, but there’s something thrilling about that too—that he wants me despite the risk, despite everything.

Sara Holland, Break Wide the Sea

That said, there are things this book does well. The worldbuilding is strong, the concept is genuinely intriguing, and the ethical tension surrounding whaling gives the story real weight. I just wanted more immersion. More finfolk. More literal and figurative transformation. More time underwater! I wanted to taste the salt spray, feel the bone-deep cold of Arctic waters, and completely lose myself in those submerged realms.

Ultimately, Break Wide the Sea is a unique story with a lot of potential. My issues with it are subjective and largely tied to characterization and narrative focus rather than the core idea itself. I can absolutely see this working better for other readers, especially those who enjoy slow-burn tension and morally complex fantasy worlds.

Thank you to NetGalley and Wednesday Books for sharing an advanced reader copy of this book in exchange for an honest review.

Book Review

The Swan’s Daughter by Roshani Chokshi

The Swan’s Daughter by Roshani Chokshi is a lavish, strange, and quietly radical fairytale retelling that takes familiar tropes and reshapes them from the inside out. On the surface, it looks like a classic setup: a young woman enters a glittering court to compete for a prince’s hand, surrounded by beautiful rivals and impossible expectations. But almost immediately, the story begins to question who holds power, who is truly at risk, and what beauty is allowed to look like in a world obsessed with spectacle. This Ugly Duckling retelling, wrapped in a Bachelor-style tournament of brides, is indulgent and whimsical, but it is also deeply intentional in the way it reframes vulnerability, worth, and agency.

Book cover for The Swan's Daughter by Roshani Chokshi.

They’re terrified of you, which is far more useful than affection.

Roshani Chokshi, The Swan’s Daughter

I came into this novel with high expectations because The Gilded Wolves is one of my favorite books. While The Swan’s Daughter is far frothier in tone, it carries the same confidence in its worldbuilding. This is one of the most decadent settings I have read in a fairytale retelling. Sentient castles, library wyverns disguised as rabbits, and daydream trees create a lush, storybook atmosphere, but there is always something sharp beneath the surface. The satire also works especially well here. The competition is absurd, glamorous, and dangerous in equal measure, and the book never lets you forget that performance and survival are deeply intertwined.

One of the most interesting things this book does is quietly subvert the traditional damsel narrative. Demelza arrives at the tournament of brides as someone easily overlooked. She is physically unremarkable by the court’s standards, visibly out of place among competitors who embody polished, effortless beauty. From the outside, she appears vulnerable, even pitiable. In reality, it is Prince Arris who occupies the most precarious position. His life, his future, and his very humanity hinge on making the right choice. If he chooses poorly, the consequences are catastrophic. I loved how this inversion reframes the entire competition. Demelza may look like the one in need of saving, but Arris is the one trapped by expectation and consequence.

Love is dazzling. Can you imagine it? To be entrusted with someone’s heart…to be all the radiance in their world? To be the only shelter in which they know both safety and bliss?

Roshani Chokshi, The Swan’s Daughter

Beauty is also treated with a surprising intentionality in this novel. Demelza is not revealed to be secretly stunning, nor does the narrative rush to “fix” her appearance to make her worthy. Instead, her beauty is initially internal, invisible to a society trained to value spectacle above substance. Every other competitor is outwardly beautiful in ways the court knows how to reward. Yet by the end, it becomes clear that none of them can match what Demelza offers as a person. Her honesty, emotional steadiness, and refusal to perform a version of herself for approval give the story a quiet power that will stay with readers. The novel slowly becomes less interested in beauty as currency and more invested in beauty as character.

Arris, too, is written in ways that resist traditional fairytale masculinity. I was especially drawn to the attention paid to his routines, his clothing, and the care he takes in presentation. There is something almost traditionally feminine in how these moments are framed for him and not for Demelza, and yet the story never treats this as weakness or contradiction. His sensitivity, precision, and emotional awareness exist comfortably alongside his role as prince and romantic lead. Even within the confines of a heterosexual romance, the book allows softness and attentiveness to be strengths rather than liabilities, which felt both refreshing and intentional.

Power is a matter of perception. In the end, it’s what you believe that holds the most sway. All the rationale in the world might tell you you are walking headlong into danger. But if you believe yourself an exception, if you believe that fate walks you down a different road despite every evidence to the contrary, then it is perception alone that rules you. Nothing else.

Roshani Chokshi, The Swan’s Daughter

The weakest element for me was the romance. While I appreciate that Demelza and Arris don’t experience insta-love (an annoying pitfall of many YA romances for me!), their relationship never really evolves into something convincingly romantic. Their chemistry is muted, and there is no clear emotional turning point where their feelings shift from friendship to romantic love. At times, it even feels as though the narrative invites us to root for Arris to end up with someone else. Given how central love is positioned within the story, this lack of development is disappointing.

Several plot threads also feel underresolved, particularly those involving Demelza’s father and the spell she and her sisters were raised to decipher. Both arcs are introduced with significant weight and then quietly fade away, which undermines their earlier importance.

Still, I genuinely enjoyed The Swan’s Daughter. Its greatest strength lies in how it reimagines familiar tropes without stripping them of their magic. This is a story about being underestimated, about finding worth beyond performance, and about choosing who you are in a world determined to define you first.

Thank you to NetGalley and Wednesday Books for sharing an advanced reader copy of this book in exchange for an honest review.

Book Review

Splintered Kingdom by Gretchen Powell Fox

Splintered Kingdom by Gretchen Powell Fox is the second installment in the Shattered Crown trilogy. It expands the world beyond the high-stakes tension of the Arcane Crucible and plunges Elyria and Cedric into the fragile aftermath. All the while, Elyria is learning to wield her shadow magic without letting it consume her, and Cedric is coming to terms with the truth of his own identity. As twin victors of the Crucible, they must work together to find both halves of the Crown of Concord in order to save Arcanis from collapse. Between political unrest, stunning betrayals, and the will-they-won’t-they tension still sizzling between the pair, nothing about this journey is going to be simple.

Book cover for Splintered Kingdom by Gretchen Powell Fox.

The truth has a way of hiding in the spaces between what is written.

Gretchen Powell Fox, Splintered Kingdom

What stands out most in Splintered Kingdom is how much bigger this universe becomes. In Smoke and Scar, the tension of the story came from a contained, brutal set of trials that compacted risk, characters, and plot into a tight space. Here, we’re invited into cities, borderlands, courts, and villages. We meet famine, piety, zealotry, poverty, the fierce solidarity of towns under pressure, and a spectrum of beliefs that test our heroes at every turn. The expansion of the setting amplifies the stakes as the narrative terrain is both emotional and geographical now. That shift allows Fox to lean more intentionally into the social commentary already pulsing beneath her worldbuilding. We see not only the effects of the missing Crown of Concord, but also what it costs ordinary people when political turmoil causes kingdoms to fracture.

Of course, the beating heart of this story still belongs to its characters. Elyria, Cedric, and the plucky crew we met in the Sanctum are magnetic as ever, even if they’re often separated this time around. But we also meet even more of their friends in Splintered Kingdom, and the experience is delightful! Tristan, in particular, is the standout favorite. Every scene he’s in becomes instantly more charming, more fun, more alive. (If Fox sees this, I would absolutely read an entire novella about him!) I also appreciate how Kit feels so much sharper and more grounded outside the Crucible, with arcs that nicely emphasize her wit, courtly intrigue, and strength of character rather than the single note of her (justified) rage as we saw during the trials. Nox and Thraigg, sadly, fade a bit to the background here, perhaps to make room for new characters and plot. Regardless, the ensemble overall remains a highlight for me. Fox has a way of writing even the smallest side character with enough depth that you care if they don’t make it out alive. It makes the reading experience so much more agonizing…and fun!

I was also glad to see LGBTQ+ representation handled with more care and attention, a welcome improvement on the first book that makes this world feel richer and more lived in. In my Smoke and Scar review, I noted that Tenebris Nox offered seamless nonbinary representation, yet the broader spectrum felt underexplored for a story that otherwise manages to showcase such a diverse fae world. In Splintered Kingdom, queer identities appear across core and side characters, folded into everyday dialogue, court dynamics, and found family moments without fanfare. The result is a story that reflects the breadth of its own world, and characters that feel more authentic because of it.

She did not want to admit that her power felt sharper, steadier whenever he was near. Did not want to admit to the hum of recognition, of belonging, she felt whenever his own power flared. Even now, her power flickered under her skin at the thought, as if her shadows, too, yearned to reunite with his fire.

Gretchen Powell Fox, Splintered Kingdom

The romance you signed on for also finally gets its moment, and the bell pepper-level spice of the first book definitely upgrades to a chili pepper or two for the sequel! In Smoke and Scar, Elyria and Cedric were too busy surviving the trials to do more than trade fleeting glances and hold the line on all that pent-up longing. In Splintered Kingdom, they have space to ask real questions, to decide what they want from each other, and how much of themselves they’re willing to give. The early intimate scenes between them are unquestionably the strongest, when they’re still feeling their way through a new romantic dynamic. There is a quiet vulnerability to how they explore that connection and surrender to their desire for one another. It feels earned after the enemies-to-lovers slow burn from the first book. For me, the love scenes in the second half of the book don’t have the same effect because they seem to exist for their own sake rather than in service of character or plot. I’m thinking of one specific love scene towards the end of the book when I say that. But for the most part, the evolution of their bond feels right. Cedric and Elyria are most effective when they don’t dull themselves down for each other, and that flickering tension—fire and shadow learning to move together—continues to work. Their arcs feel designed to slot together, to fill spaces the other left empty, which makes watching them get together incredibly gratifying and poetic.

One of the most rewarding through-lines in this series is its interest in power—not just the kind you cast or fight with, but the kind that shapes people and institutions. Cedric’s arc continues to be one of my favorites. Watching him unlearn the indoctrination he grew up with, challenge Lord Church’s legacy, and finally begin to see his own power as something worth embracing is deeply satisfying. Elyria’s journey with her shadow magic is also layered, since it’s about control but also about learning to live with the parts of yourself you were taught to fear. The book also sharpens its questions around mana magic: who gets to use it, what it costs, and whether a resource can be wielded without stripping the world that sustains it. I hope the final installment leans into that idea of stewardship, not just control, and shows what responsible magic might look like in a world that has already paid too much for convenience.

When you spend all your time trying to bury your power instead of learning how to use it, there is a bit of a steep curve to catch up.

Gretchen Powell Fox, Splintered Kingdom

That said, it bears noting that the first half of the novel drags. Given everyone is so worried about finding the crown and saving the kingdom, the fact that they’re willing to sit around and wait for permission to leave on that journey felt…odd. The characters—and readers—were trapped by plot necessity more than anything else. Sure, the excuse is that Lord Church is manipulating everyone because he doesn’t want our heroes to find the crown, but the sheer amount of time they spent waiting around just doesn’t feel convincing or believable when the world is supposedly on the brink. The writing also feels clunky in places, with repetition and awkward sentence construction that pulls you out of the moment. The pacing struggles under the weight of long exposition scenes and a few too many logistical detours. It’s not enough to undo the emotional resonance of the story, but it does dull the edge a bit.

Still, Splintered Kingdom holds its ground as a thoughtful, character-driven follow-up. It may not have the razor-sharp pacing of Smoke and Scar, but it makes up for that with expanded themes and wider emotional arcs. The final chapters deliver some gut-punch moments I didn’t see coming, and while the book ends with a clear setup for the final installment, it still feels like a full experience.

Thank you to the author, Gretchen Powell Fox, for sharing an advanced reader copy of her book in exchange for an honest review.

Book Review

This Spells Love by Kate Robb

What if one impulsive, margarita-fueled decision could wipe away your worst heartbreak—but at the cost of everything else? In This Spells Love, Kate Robb blends romantic comedy with a dash of magical realism to explore what happens when one woman’s attempt to forget her ex rewrites her entire reality. After a drunken spell with her best friend Dax, her sister, and her eccentric aunt, Gemma wakes up in a world where her ex never existed, her life is nearly unrecognizable, and the one person who’s always mattered most—Dax—no longer remembers her at all. Whimsical and heartfelt, this debut asks a compelling question: if you could undo the past, would you still choose the same future?

Book cover for This Spells Love by Kate Robb.

It’s like Hot Tub Time Machine without the hot tub.

Kate Robb, This Spells Love

There’s real charm in the setup, and the pacing is strong throughout. Robb’s prose is breezy and digestible, with writing that makes it easy to devour chapters without realizing how much time has passed. The magical realism element is understated, more a plot device than a full-on genre shift, which works well for readers who prefer grounded rom-coms. And at its core, the novel is about more than romantic love. It’s about learning to recognize your blind spots, appreciating the people who anchor you, and understanding that healing doesn’t come from rewriting the past. It comes from making peace with it.

But for all its strengths, This Spells Love stumbles where it matters most: character depth. Gemma, as a narrator, is often difficult to root for. Her self-absorption borders on grating, and while the story hinges on her personal growth, it’s hard to feel invested in that journey when she seems oblivious to the emotional needs of those around her. She treats her support system like background noise and rarely reflects on how her actions impact others until late in the book. While this is realistic in some ways, it doesn’t always make for compelling reading.

The side characters—particularly Gemma’s sister and aunt—feel one-dimensional. They appear when needed, serve their purpose, and then retreat until the plot calls for them again. Even Dax, who is arguably the emotional anchor of the novel, is frustratingly underdeveloped. Because the majority of their romance happens in an alternate reality where he’s essentially a different person, the emotional stakes never quite land. The book gestures at a best-friends-to-lovers arc, but it lacks the lived-in warmth and history that make those stories shine. There’s no satisfying build-up to the chemistry; we’re simply told it exists, and then expected to believe it transcends timelines.

The predictable path is boring. And you miss out on the chance to try some really incredible things.

Kate Robb, This Spells Love

That said, there’s something endearing about the concept itself. The idea that love can survive (thrive!) through a fractured reality is a powerful one. And while the execution is imperfect, the themes resonate. Gemma’s realization that Dax is her constant, the one person who feels like home no matter the version, lands with a quiet poignancy. It’s not quite the sweeping romance it could have been, but it’s earnest. And sometimes, that’s enough.

This Spells Love is a flawed but engaging debut. It may not deliver on all its witchy promises, and it might leave some readers wanting more from its characters and emotional arcs. Still, for an afternoon curled up with something light and slightly magical, it scratches the itch for cozy fall vibes. Just don’t expect potions, pentagrams, or a deeply fleshed-out love story. This one’s more about the lesson learned than the spell cast.

Thank you to NetGalley and Dial Press / Random House Publishing Group for sharing an advanced reader copy of this book in exchange for an honest review.